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The history of major label (YME is an imprint of Cash Money Records and distributed by Universal) rap collaborations is a pottered one, the albums often serving as little more than promotional exercises for upcoming releases from bright young things being pushed as the next Eminem or Snoop (indeed, see 2006's occasionally brilliant but mostly inconsistent Shady Records effort Eminem Presents: The Re-Up as a case in point), only for them to fall by the wayside as soon as the big name is ready to put out his or her latest opus. In the interim, and to tide fans over, Carter has released We Are Young Money, a collaboration between all the artists on the roster of his own Young Money Entertainment imprint. Over the course of countless mixtapes and particularly on 2008's astoundingly good, career-defining Tha Carter III Carter has set himself so far apart from his peers that even something as apparently hideous as a rock album featuring both Pete Wentz and Lenny Kravitz from a man who can neither sing nor play guitar at any competent level is pushing many people's expectation levels to a feverish point. is a quite singular talent, and one of our generation's most groundbreaking and endearingly eccentric artists. Not because of the repeated broken promises but because Dwayne Michael Carter, Jr.
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But, in truth, it's becoming rather aggravating. Dre), the comparably slight wait fans are enduring for Lil Wayne's possibly ill-advised 'rock' album Rebirth shouldn't be that frustrating.
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In a genre where 10-year plus delays aren't all that uncommon (looking at you Dr.